- 1 Should you compress orchestral music?
- 2 Should you compress a sample?
- 3 Should I compress strings?
- 4 How do you compress classical music?
- 5 How do I compress a string?
- 6 How loud should classical music mastered?
- 7 Should I compress the whole mix?
- 8 Should I compress my mix?
- 9 Which is the best compression algorithm?
Should you compress orchestral music?
As far as compression is concerned, I would suggest some very gentle overall compression, typically with a ratio of 1.1:1 and a threshold around -30dBfs, but you’ll need to adjust this to suit the amount of squash you require. This will reduce the overall dynamic range but maintain some dynamic variation.
Should you compress a sample?
Compression is mostly used to control dynamics by reducing peaks and transients – but when it comes to drum samples, this isn’t something we want to do. Most drum samples are already compressed in some way, making it unnecessary to apply additional compression.
Should I compress strings?
You don’t generally need a lot of compression on acoustic stringed instruments, especially if you want a natural sound. You can use the compressor to even out the resonance of the instrument to keep the main character of the instrument from getting lost in a mix and to avoid a muddy sound.
How do you compress classical music?
Sometimes the best way to reduce this dynamic range is to manually ride the fader on mixdown, or draw in volume automation to drop the level of the loudest parts by a few decibels. Once you’ve done this, you can make up lost gain by turning the signal up at the output stage.
How do I compress a string?
The string should be compressed such that consecutive duplicates of characters are replaced with the character and followed by the number of consecutive duplicates. For example, if the input string is “wwwwaaadexxxxxx”, then the function should return “w4a3dex6”. This kind of compression is called Run Length Encoding.
How loud should classical music mastered?
The genre of the music master affects the loudness of the master. For example, pop music is typically mastered louder with some masters being as loud as an integrated -8 LUFS. Conversely, Jazz and Classical music are typically mastered quieter, closer to an integrated -16 LUFS.
Should I compress the whole mix?
Adding a small amount of compression to your mix bus chain can take your mixes to another level. When done correctly it can add more excitement and cohesiveness as it controls the dynamics of the mix. It helps to “glue” your tracks together. You don’t even need a special compressor to do it!
Should I compress my mix?
Don’t you compress during the mix like on individual instruments e.g. drums, bass etc? Absolutely. Compression is the best way to control dynamics and keep some instruments in check while making other elements of the mix tighter and more powerful.
Which is the best compression algorithm?
6 Lossless Data Compression Algorithms
- LZ77. LZ77, released in 1977, is the base of many other lossless compression algorithms.
- LZR. LZR, released in 1981 by Michael Rodeh, modifies LZ77.
- LZSS. Lempel-Ziv-Storer-Szymanski (LZSS), released in 1982, is an algorithm that improves on LZ77.