HOMEWORK

Music Appreciation Videos/Forum

Music forum is located underneath the most current assignment

Course Textbook Listen To This, is available below in PDF format.

CLICK HERE FOR TEXT

DUE 9/28: Gretchen Parlato/SWV Listening Comparison

For your perusal and guidance, I've included two separate reading pieces that will better prepare you for the concert experience you choose to attend (re: the concert review assignment). How To Write A Music Review on A Concert and How To Write A Review will prepare you with preemptive suggestions before attending your concert. Please read these PDF's, they will assure your preparedness and provide you with suggested angles to approach writing your review. If you haven't done so already, please look through your personal schedules and align a date with a concert ASAP. This review will sneak up on all of us before we realize it. You must plan ahead.

SUBMISSION DUE: The two videos below represent different versions of the same song. What I'd like you to do for next week combines identifying musical elements and describing them. Listen to each recording three times. On each passthrough, listen on each of the three planes Copland discussed in the article from last week. Upon listening, and taking notes, I'd like you to construct a 1-page (2/3 paragraph response) related to the elements listed below:

1st Listen- Allow the recording to 'wash over you'. Listen to the track with an un-bias ear, as a reviewer would. Make subtle notes on generalizations of the overall sound/mood of the track, general comments related to the musical approach taken by each band.

2nd Listen- Listen for the mood evoked in each track. What effect does a change in style or musical approach have on the mood or emotion conveyed in each track?

3rd Listen- Make note of as many musical elements as you can pull out. Discuss the differences in instrumentation and musical texture between each track. Tempo? Word-music relationship? Are there any similarities? What are the differences?

Combine your listening into a narrative response and submit in the box below. Please let me know if you have any questions- remember, you can't get this assignment wrong, please try your best.

For those who are interested in reading up on each of these artists, I've included a well-cited Wiki article for SWV as well as the website for Gretchen Parlato, click on the names to read more on each artist.

Sisters With Voices

Gretchen Parlato

Previous Assignments

DUE 9/21: This will fulfill three separate assignment requirements- one email and two separate assignment submissions.

Read the Elements of Music section in the beginning of the textbook (p.1-14 located above in PDF format)

ASSIGNMENT #1: Email

Send me an email from your CCC account. If you do not know how to do this, click here. If you simply cannot figure it out, then email me from the account you check most. I encourage use of your CCC account as it is the only medium of communication the college considers official. Either way–email me at jantonacci@faculty.camdencc.edu. Include your name and class time in the subject of the email. In the body of the email, please tell me the following information:

1. What is your major and year of study?
2. What kind of music do you enjoy listening to? Who is your favorite artist/composer/piece?
3. What are you hoping to gain from taking this class?
4. Do you have any prior musical training (singing lessons, instrumental lessons in high school or earlier, guitar/drum lessons, etc...). If you have, please specify.

ASSIGNMENT #2: Video Responses

Watch the two videos below and take notes. In the box below, describe what topics were covered in each video, and any questions that you have regarding those topics. What did you find most interesting about each video? Does this discussion of rhythm and melody raise any questions about what you typically listen to, or how you listen, if so please share–BE THOROUGH IN YOUR RESPONSE. Be prepared to discuss the topics covered in the video at our next class meeting.

Once you're done, hit SUBMIT, refresh the page and the box will reappear. Submit another response for the assignment below:

ASSIGNMENT #3: Copland Article

Read the Copland excerpt titled How We Listen. In a 1 1/2–2 page response, summarize his discussion of musical planes and their respective functions. Analyze your own method of listening and try to determine which musical plane you fit into. Is it possible for everyone to access all three planes? Explain your thoughts. This assignment is to be submitted in the box below.

Rhythm

Melody

DUE 12/15 @ 12pm: ALBUM REVIEW
(online submission-no class)

Over the course of next week before Friday, please send me the second song analysis for your review as well as any final drafts you'd like me to look over before submitting officially on Friday. I would like to read your work along the way and guide any problems or issues that come up in your review.

You do not need to turn in your paper in person. We will not be meeting face-to-face for the final week 12/15. I don't want to make everyone drive into the campus solely to turn in the paper, so in an effort to be more courteous to your time you can submit it online. Please email your review as a PDF to jantonacci@faculty.camdencc.edu or copy and paste into the submission box below. I will be grading the reviews during the day on Friday and will be sending back comments and your grade for both the review as well as the class in it's entirety.

DUE 12/8: SONG ANALYSIS

I want you to complete a song analysis on the second song for your album review–– type your analysis into a word processing document and save it along the way––when you're done with your analysis, copy and paste in the box below. I will critique your analysis and comment with suggestions. Remember, for your paper you'll need to analyze two songs, so if you didn't complete the first analysis due 11/24, then please submit both of your analysis this week. Use this homework assignment as a chance to receive feedback on your work.

Don't forget to utilize whosampled.com!

When completing a song analysis, detail the following information in paragraph format as best you can:

1. Song Form (INTRO, ABC, etc...)
2. Instrumentation
3. Hierarchy of Instruments/Voice
4. Overall sound of ensemble
5. Additional effects
6. Lyrical content/meaning (how well do the lyrics fit the music?)
7. Any additional information you feel is important to the discussion
8. Measure the level of creativity (lyrically and musically)

CHECK HOMEWORK PAGE AT 5PM TODAY (12/1) FOR NEXT WEEK'S ASSIGNMENT

Due 12/1- REVIEW THE REVIEW

Please remember that we will not be meeting in person today, Friday 12/1- class is canceled. In lieu of class, please review the content below. There are two separate assignments to submit- a review of an album review and draft/outline, and a corresponding video Before The Music Dies (this one is working properly). If there are any questions, please let me know. If you did not submit the homework for last week (11/24) then please submit ASAP. The video Standing In The Shadows of Motown is not functioning properly- so this is no longer due for credit. Please submit the song analysis however- because we're not meeting today I need to see what you're doing when you write about the songs you have chosen. I will be commenting back in the next few days with suggestions and ideas for you to consider for the next analysis.

Begin preparing for your album review projects. The best place to start is to read reviews! I've included some websites below that you can look at for guidance on style for your reviews.

Album Review Sites:

SUBMIT BOTH PARTS TOGETHER

PART 1: Review of the Review & Draft
Find at least one review of the album you've chosen, and answer the following questions in a 1-page response:

Was the review thorough enough for you?
What would you have liked to know more about?
Did the review present any questions?
Did the review concentrate too heavily on a particular topic?
Did the review discuss specifically how the music sounded, or the creative process involved in the making of the album

Draft:
I want a one page outline of your review. On your outline, I want you to include the following information:

Construct a basic outline for your assignment (bio info/influential info/review info/contextual info/musical info
Compile pertinant biographical information about your artist/band (Jeopardy information...)
Compile information regarding influences of your artist/band. What person or group of people are responsible for the mentoring of your artist/who most influenced their musical creativity.
Read reviews (refer to this web page for the links to review sites) on the album you're doing. Find more than one review and analyze the approach taken by each critic. After you've compiled reviews on the album you've chosen, look at the album that preceded the one you're doing and repeat the same process. Ask yourself: Are there any differences/similarities between the most current album and the previous one? When completing a review, you need to contextualize other aspects that surround the album (ie. what came before it...and how was it received?).

The aforementioned aspects of your album review will be contained in the opening page(s), while a majority of your critique will focus on the treatment of the music itself. It is only after this information is sought out and drafted that we can begin incorporating the musical discussion.

PART 2: Before The Music Dies (below)

Watch the film above, Before The Music Dies and answer the questions below. This film is available on Amazon streaming service, but it is 30 minutes shorter. There is a section on Clear Channel and their influence over the radio waves. Clear Channel is painted in a bad light, and because of this (and their extreme power) the public film has been edited and the Clear Channel section was removed. The film above is the original movie–the complete version.

1. What are your thoughts on the way the “Music Industry” is presented in the film?

2. Do you think talent is important? Can someone be taught to be good at music?

3. What do you think of the interviews with concertgoers? Do concertgoers need to know a lot about the artist in order to enjoy the experience?

4. What impact does image have for a pop star?

5. Would you buy an album if you don’t know what the artist looks like?

6. What are you thoughts on the way in which radio stations are run? Describe your thoughts about global
corporations owning radio waves.

7. Having learned a great deal about music, what are your thoughts on the concept of auto-tune and general editing before an album/track is released? In your opinion, is the authenticity of the recording compromised during this process? Explain your thoughts on the post-production phase of recording.

Due 11/24 @5pm: NO CLASS (Thanksgiving Holiday)

We won't have class next week, but there are two assignments due. The first assignment is below. I want everyone to begin analyzing one of their songs for their review. The information I want you to focus on is below. Submit your analysis in paragraph form, don't list your answers. Remember this is part of a review, the reader wants to see a narrative that represents the song in question. This is the first time most of you are writing an analysis, so as overwhelming as it may feel, take your time and we'll shape it together over the next few weeks. I'll be commenting back with angles you can take, or ways in which you can improve your analysis. You'll need to choose two songs from the album to talk about at length- you can do more, but two is the required amount.

The second assignment is a film, Standing In The Shadows of Motown. The information about this film, and the corresponding questions are located at the bottom of this assignment. The film is about an hour and a half long, so don't wait until Friday morning to watch it. You can submit both assignments together, or separately as you see fit. Either way, both assignments are due by 5pm on 11/24.

Album Review Analysis Assistance
(READ ENTIRE POST– ASSIGNMENT IS LOCATED AT THE BOTTOM)

For next week, I want you to start focusing on the tacks that are on your album. First and foremost, it's important to listen to the album in one sitting, from start to finish without interruption. As you listen, gather general information about the flow of the album- both musically and lyrically. Albums are like books, in that, they should be listened to from start to finish- there IS a reason the tracks are in the order they appear. Use this first listen to document the 'bigger picture' of the albums purpose.

If you have trouble locating the album review assignment itself, be sure to click on the 'MUS Appreciation Hybrid' tab under Camden County College––and then click the 'Concert/Album Review Info' tab.

For your ease, the four points on the assignment itself have been copied below:

Utilize the four points listed below in writing your review.

First– Start with the music and lyrics (where applicable) on their own terms. Perform a song analysis. Measure levels of craftsmanship, creativity, thoughtfulness, and originality within the composed and performed sounds and words as you hear, and analyze them. In an album review, all tracks of the album do not have to be (and probably should not be) mentioned in detail. You should discuss several tracks in great detail (4–6), and others in less.

Second– How does the music and words (where applicable) compare to other music within this genre (and other genres) from the same time period? Some times albums are important because they are part of a zeitgeist (a cultural movement/energy) and, on the contrary, because nothing of great value has surfaced from that specific time period.

Third– Who are the musicians creating and performing this music? How did they arrive at this stage? What was the process like that specifically resulted in this album (i.e. the writing and recording of the album). Do they cite other artists and genres that were pivotal in inspiring to this moment? Who were their influences? More importantly, can you hear the sounds of other artists and genres seemingly resonating in the music? (These kinds of suggestions are tremendously helpful to readers to give them a better sense of how something might sound.)

Four– What is the social context of the album? This is more important when reviewing an album from a previous decade, but is still applicable when reviewing current albums. It's important to understand the issues the artists might be writing about or inspired by. Also, it's important to understand the world of listeners that the artists intended to spring the music upon.

For next week, I want you to complete a song analysis on one track from your album––you may do more, but I want to look at the first one. Type your analysis into a word processing document and save it along the way––when you're done with your analysis, submit it into the box below. I will critique your analysis and comment with suggestions for revision.

When completing a song analysis, detail the following information in this order:

Song Form
Instrumentation
Hierarchy of Instruments/Voice
Overall sound of ensemble
Additional effects
Lyrical content/meaning (how well do the lyrics fit the music?)

Standing In The Shadows of Motown

Standing in The Shadows of Motown (2002) from Gerrard Wistanley on Vimeo.

Watch the film above, Standing In The Shadows of Motown and answer the questions below. This film details the band behind the making of most of the records during the Motown Era. Little was ever known about the musicians in the studio, until this film was made. The historical significance of The Funk Brothers stretches far beyond the boundary of the recording sessions themselves- they were the Motown sound.

Name 6 of the funk brothers and the instrument they play?
Why did people move to Detroit?
Who was the founder of Motown Records?
What did Uriel Jones use for a bass drum?
Name 3 of the Motown Artists
List the 3 names for the Motown Studio
What 2 British bands were influenced by Motown?
What was the unusual place where the Funk Brothers hung out to escape?
What Motown artist picked up piano and drum skills from members of the Funk Brothers?

DUE 11/17: TWO ASSIGNMENTS (submit together)

ASSIGNMENT 1- NARRATIVE RESPONSE (50pts): CLICK HERE to read the article titled Making Cents. In a 1 page (double spaced) response, communicate your best reaction to the material discussed.

Are the artists being ripped off?
Does the fact that Spotify and Pandora (much like YouTube and Rhapsody) function as promotional tools support an argument that the artists "should just be happy to get their material out" instead of being adequately compensated?
What are your thoughts on this subject?
Is the age of multimedia and technological growth aiding or hindering the music industry?

Due 11/10: Blues America Questions

Watch Blues America (a two-part film), and submit answers to both sets of questions in the box below. We'll be discussing the content covered in the film next week during our introduction to popular music and the album review assignment.

ASSIGNMENT 2- Sgt. Peppers Narrative (50pts)- Review of the review

Before reading your assigned review, listen to a few tracks from The Beatles album, Sgt. Pepper’s Lonely Hearts Club Band (YouTube, or Spotify, or iTunes). Read the corresponding review below (sorted by last name). All of you have been assigned (by last name) a different review of the same album. Each of the reviews below have been written years apart from each other, yet they are all about the same album- and are very different from one another.

In a 1.5/2 page paper (double spaced), based of your assigned review, how much of it is dedicated to each of the areas outlined on the album review assignment? We'll be discussing the differences between your reviews during our next meeting. Additionally in your paper, tell me the following:

What would you have liked to know more about?
Did the review present any questions?
Did the review concentrate too heavily on a particular topic?

Do they spend a significant amount of time talking about the making of the album, instead of how it sounds and what is actually said? Based on your listening of a few tracks, how do you feel about the music itself, and the review you were assigned? Utilize the points outlined above in forming your opinion–how well are the areas covered, if at all? Please be sure to note which review you were assigned (Esquire, Rolling Stone or Pitchfork) for my clarification.

SUBMIT YOUR NARRATIVE IN THE BOX BELOW.

PDF documents are organized by last name, download your copy below (links are below).
LAST NAME FROM A–G
LAST NAME FROM H–N
LAST NAME FROM O–Z

Blues America Part 1- Questions

What early blues musician gave himself the title Father of the Blues?
In 1914, what were the names of the two “sheet music hits’ of W.C. Handy?
What town was considered the “Capitol of the Recoding Industry”?
Paramount Records received a letter from a record store in Dallas, telling the story of a man who plays “down by the tracks, and if we had a record of him we could sell a bunch of them.” Who was the musician in question?
During the depression, the record industry suffered greatly. Two blues musicians made records during this time that were considered commercial “flops”. They were both rediscovered in the 1960’s and acclaimed masters of the Delta Blues? Who are they?
Who was the first blues musician who had heard all the blues records and in turn, produced music that was influenced by previous blues artists. He was considered a “compendium of the greatest blues styles of the 20’s and early 30’s”.
In December of 1938, John Hammond put on a concert at Carnegie Hall in NYC. Featured on this concert was blues musician Big Bill Brunsey. What city was Brunsey from?
What was the issue surrounding the way in which John Hammond presented Big Bill Brunsey in concert?
What was the name of the blues producer who did not see the blues as a commercial form of music, but was more concerned with documenting the country-style blues and early field hollers?
In an evening at the Whitehouse dedicated to celebrating the blues, what blues musician was highlighted?

Blues America Part 2- Questions

What town was known to be the place for work; stockyards, steel mills and domestic work?
A generation of foreword thinking blues artists was emerging from Chicago, what was the name of the family that started a record business in the 1950’s and signed Muddy Waters as their client?
What Mississippi born blues musician took his records to the top of the charts in 1949?
As Rock and Roll emerged, musician Chuck Berry played a recording for Leonard Chess of a new style of music. This song had come to be known as Maybellene. This name was a change, at the request of Chess. What was the original name of the song?
What was the controversy surrounding the death of Robert Johnson? He is said to have died from either one of three reasons, what were they?
What year was Robert Johnson, King of the Blues Singers released?
What rock band described themselves as ‘blues missionaries’? What country were they from?
What electric blues musician had zero interest in acoustic guitars and oppression era Mississippi?
Blues influenced new musical directions, as the 60’s evolved into the 70’s, blues rock evolved into what genre? This genre would eventually morph into Heavy Metal.
Stevie Ray Vaughn and Robert Cray were credited with a blues revival during what decade? During this era, what was the name of the band that recorded a music video featuring John Lee Hooker called the Healer?

Due 11/3: MIDTERM & CONCERT REVIEW

Info for my concert on Monday 10/30 is below:

Plays and Players 3rd Floor Studio
Norman David and The Eleventet - Sets at 7:15 & 8:45
1714 Delancey Place (between 17th & 18th and Spruce & Pine)
Philadelphia center city, PA
Price: $10 at door (good for both sets) - Doors open at 6:45

YOUR TEST WILL BE GIVEN ON FRIDAY 11/3/2017

Section 1:
Multiple Choice (38pts/2pts each)- Material will be taken from terms on Classical Tradition I (Elements of Opera terms, Elements of Fugue and String Performance Elements on the Classical Tradtition II page

Section 2:
Short Answers- Material will be taken from Classical Tradition II.
1. (18pts)– Name the three different sections of sonata form and describe what happens within the context of each section.
2. (32pts)– Name each instrumental family in the orchestra. Provide me with the names of four instruments in each section as well as the method of sound production for each family.

Section 3:
Essay (10pts)- We looked at a variety of composers and musical forms through the Baroque, Classical, Romantic and 20th Centuries. In the space below, discuss the musical forms and composers associated with those forms from the Baroque period through 20th Century. What composers were pertinent, what time period can we associate them with and what musical forms are they responsible for? Be thorough in your response.

Our focus from next week through the rest of the semester will be on the album review project. If you haven't done so already, choose which album you'll be reviewing off of the Album Review List (located here). Begin research and compilation of basic biographical information and influential information regarding your artist or band.
__________________________________________________________________________________________

Due 10/27:

MUSIC APPROPRIATION ASSIGNMENT & READING

Musical appropriation is the use or adaptation of a work to serve something other than it's original purpose (ex. a popular song or classical/jazz pice being used in a commercial or advertisement).
Contrafactum is a work setting new words to an established melody. (ex. God Save The Queen and My Country Tis' of Thee contain the same melody, however they share entirely different texts. The tune now known as The Star Spangled Banner first accompanied a text that was originally a drinking song).

Your assignment for Monday is to find a song, or a piece that has been the subject of Musical Appropriation and Contrafactum–one song for each style (YouTube is best–you'll need to post the link below). After you've found your appropriate pieces, submit a paragraph or so for each song outlining some background information and information on the artist/composer and the original purpose or setting of the song and how it was reused (ex. this song was originally written for the 1986 Olympics, and was utilized in this commercial by...).

To aid your search, consider artists or composers that have had pieces used in commercials or films. Consider pieces that have been theme songs for sports shows or events. There are several functional pieces of music that are used on a multitude of platforms.

Submit your response in the box below.

Due 10/20: Stravinsky & The Rite of Spring
The Rite of Spring (Le Sacre du printemps) 1913– Igor Stravinsky

Stravinsky's ballet The Rite of Spring (Le Sacre du printemps) was so new and different that the audience at its premiere in Paris in 1913 rioted. Many found the harmonies, melodies, and rhythms to be beyond the limits of the acceptable, and they let their feelings be knowns. Yet within a few years it became an audience favorite around the world and remains so today.

In Ballet, music tells a story through movement. The idea of interpreting sound through gesture on stage has a long history, dating back to ancient times. Many operas, from the Baroque Era onward, have incorporated dance scenes. But the ballet as an independent genre–the focus of an evening's entertainment –did not come into its own until the nineteenth century. It has flourished since that time, however, thanks to the works like Stravinsky's The Rite of Spring.

Stravinsky's Rite was commissioned by Sergei Diaghilev for his Ballets Russes (The Russian Ballet), a company of largely Russian dancers who's home base was in Paris. The score follows the scenario of the ballot Stravinsky himself recalls as having first conceived in "a fleeting vision which came to me as a complete surprise...I saw in my imagination a solemn pagan rite. Sage elders, seated in a c rice, watched a young girl dance herself to death. They were sacrificing her to propitiate the God of Spring. I heard and I wrote what I heard. I am the belles through which Le Sacre passed." In the end, the scenario of the ballet was drawn up by Stravinsky and Nikolai Roerich, a leading expert in Russian folklore and ancient ritual. Originally called The Great Sacrifice, The ballet was eventually divided into two parts: (1) The Adoration of the Earth, and (2) The Sacrifice.

ASSIGNMENT: Watch the Rite in it's entirety (the recording is in three parts), and formulate a response in the submission box below. Consider this practice for writing the concert review. Treat yourself as critics, and do your best at being as thorough as possible in your description of the music (and choreography). While listening, consider the following:

Harmony: Are all the harmonies here tonal or atonal? (tonal meaning consonant, atonal meaning dissonant).
Form: Is the form of this piece easily recognizable, with clearly defined sections?
Choreography: Are you able to discern the story? The dancers present through movement and gesture the storyline of the ballet, what images, events, or moods come to mind as you listen to this music?
Timbre: This is an enormous orchestra, listen to the variety of sounds in all families of instruments: woodwinds brass, strings, and percussion. Do your best to describe the different moods and musical narratives created by the orchestra. Describe your experience listening to this music, what does the music specifically sound like?

Part 1

Part 2

Part 3

Due 10/13: NOTHING DUE FOR SUBMISSION. BEGIN READING THROUGH THE MATERIAL & LISTENING TO THE EXAMPLES FOUND ON THE CLASSICAL TRADITION I PAGE.

Due 10/7: Two Assignment Submissions/ TEST ON MUSIC FUNDAMENTALS

(BRING A NO. 2 PENCIL)

Study everything from the Introduction/Music Fundamentals section of the the website. We will be having a test on Friday 10/7. This test will be in three parts:

Listening (homophonic, monophonic, polyphonic)
Listening (musical forms: AAA, AABA, AB, ABC)
Multiple choice (elements of music terms & note values)
Reading Comprehension (Copland Article: How We Listen )

The only piece of information that isn't included on the Basic Elements page is the information on note values (durational symbols). Use the notes that were given in class to study. Please prepare accordingly- YOU MUST STUDY.

SUBMISSION 1:
NARRATIVE RESPONSE: Click on this link to read a short excerpt from an upcoming book on the state of classical music by Julliard professor Greg Sandow. Read Sandow's thoughts and provide me with a summary of his five points. Communicate your best reaction to what he views as a dilemma for classical music; how do you feel about this subject? This assignment must be typed (2 pages–double spaced). Submit in the Narrative Responses box below (I recommend typing in a word processing program and pasting in the box below).

**AFTER THE FIRST SUBMISSION REFRESH THE PAGE**

SUBMISSION 2:
There are two pieces below, listen to each one (several times if need be) first, take notes based on each set of questions below. Formulate a two paragraph response from these questions- deal with the pieces separately and together in your narrative as you see fit. Submit your response in the form below-BE THOROUGH.

Puccini- Nessun Dorma
1) Describe the experience of listening to an operatic aria versus more radio friendly popular music?
2) How is the orchestra like or unlike the regular backing band you'd get in, say, rock music?
3) How well does the music fit the lyrics?
4) What is your feeling after the music ends? Close your eyes often (entirely even) when listening to the Bach
Bach- Partita No. 2 (start at the beginning and stop the recording at 4:20)
1) What does this music sound like?
2) What do you think it was used for?
3) How many different sections (themes/mood changes) does this piece have? Can you characterize the mood of each section (using descriptive terms)?
4) Tell me three aspects that stand out to you the most, and why (it can be anything from the piece itself [themes, moods, colors, etc...] or anything regarding the performance/player)

Remember, this is a narrative response. Don't answer these questions in bullet points.

The assignment from the previous week is below. If you need to submit this for credit, please do so. Remember to refresh the page after each submission in order for the box to reappear.

Printed, stapled, and in my hand at 12pm.
Everybody please be prepared to speak for 5-10minutes about the album, the artist/band, the songs you analyized and your opinion of the level of creativity contained on the album both musically and lyrically.

Due 4/14: Two Assignment Submissions

SUBMISSION 1:
MUSIC APPROPRIATION ASSIGNMENT

Musical appropriation is the use or adaptation of a work to serve something other than it's original purpose (ex. a popular song being used in a commercial, with different text, but sharing the same melody).
Contrafactum is a work setting new words to an established melody. (ex. God Save The Queen and My Country Tis' of Thee contain the same melody, however they share entirely different texts. The tune now known as The Star Spangled Banner first accompanied a text that was originally a drinking song).

Your assignment for Friday is to find a song(s), or a piece(s) that has been the subject of Musical Appropriation and a song or piece that has been the subject of Contrafactum–one song for each style (YouTube is best–you'll need to post the link below). In a 1-2 paragraph response please tell me what songs you have found, and what the purpose of the original song was.

To aid your search, consider artists or composers that have had pieces used in commercials or films. Consider pieces that have been theme songs for sports shows or events. There are several functional pieces of music that are used on a multitude of platforms.

As a reminder, once you've found the original song/piece for each style, provide some information on the composer/artist and the original purpose or setting of the song (ex. this song was utilized in the 1986 Olympics, and was rearranged by.....).

Submit your answers in the box below.
___________________________________________________________________________________________

SUBMISSION 2:

LISTENING: This assignment is a narrative response. In a 1-2 page response, I want you to discuss the following topics, as they relate to the recording below.

Theme & Variations Listening: Arthur Pryor (1870-1942)- Blue Bells of Scotland (circa 1905)

Listen to the recording below and formulate a response (submitted in the box below) based on the following components (you'll need to listen more than one time):

Melody- Listen for the introductory theme, after the opening statement. With each section that goes by, what aspect of the music is being variated? The melody? Accompaniment? Please explain.
Form- Listen to the structure of the work as a whole. How many parts does this piece have (introductory material, variations, interludes, etc...)? **The unaccompanied sections are called cadenzas**
Timbre/Texture- Listen to the accompanying ensemble throughout the piece. How does the ensemble vary when the soloist is playing as opposed to when he isn't playing? Listen for the accompanying material behind the soloist, as well as the interludes between variations.

Let's also consider the musician's execution of the performance (consider yourselves 'reviewers' and don't treat this like an opinion-based response:

What is most impressive about the work (consider the compositional construct AND the way in which is has been performed)
How would this piece sound if it were arranged for piano? Would a performance with a pianist change the interpretation of the performer? What elements (if any) would he/she need to take into account?

Due 12/9: Album Review Draft/Song Analysis- IN ADDITION TO THE QUESTIONS FOR THE LIVE STREAM

(SUBMIT BOTH PARTS AT THE SAME TIME)

This assignment is in essence, the beginning of your review. If you haven't done so already, construct the basic outline for this assignment and formulate your opening with the information below

Biographical information about your artist/band
Information regarding influences of your artist/band. What person or group of people are responsible for the mentoring of your artist/band and who most influenced their musical creativity.
Read reviews (LINKS TO REVIEW SITES) on the album you're doing. Find more than one review and analyze the approach taken by each critic. After you've compiled reviews on the album you've chosen, look at a few reviews of the album that preceded the one you're doing. Are there any differences/similarities between the most current album and the previous one? When completing a review, you need to contextualize other aspects that surround the album (ie. what came before it...and how was it received?).

After you've completed the work above, please include the work below:

I want you to complete a song analysis on another song from your album–– Type your analysis into a word processing document and save it along the way––when you're done with your analysis, add it to the above assignment and submit in the submission box below. I will critique your analysis and comment with suggestions.

Don't forget to utilize whosampled.com!

When completing a song analysis, detail the following information:

1. Song Form (INTRO, ABC, etc...)
2. Instrumentation
3. Hierarchy of Instruments/Voice
4. Overall sound of ensemble
5. Additional effects
6. Lyrical content/meaning (how well do the lyrics fit the music?)
7. Any additional information you feel is important to the discussion
8. Measure the level of creativity (lyrically and musically)

DUE 5/5: Analysis

I want you to complete a song analysis on two songs from your album (you'll need more than one for the final review, but I only want to look at one for now)–– Type your analysis into a word processing document and save it along the way––when you're done with your analysis, copy and paste in the box below. I will critique your analysis and comment with suggestions for revision.

Don't forget to utilize whosampled.com!

When completing a song analysis, detail the following information:

1. Song Form
2. Instrumentation
3. Hierarchy of Instruments/Voice
4. Overall sound of ensemble
5. Additional effects
6. Lyrical content/meaning (how well do the lyrics fit the music?)
7. Any additional information you feel is important to the discussion
8. Measure the level of creativity (lyrically and musically)

DUE 4/28:

NARRATIVE RESPONSE (50pts): CLICK HERE to read the article titled Making Cents. In a one page response, communicate your best reaction to the material discussed. Are the artists being ripped off? Does the fact that Spotify and Pandora (much like YouTube and Rhapsody) function as promotional tools support an argument that the artists "should just be happy to get their material out" instead of being adequately compensated? What are your thoughts on this subject? Is the age of multimedia and technological growth aiding or hindering the music industry? Submit your response in the box below.

The aforementioned aspects of your album review will be contained in the opening page(s), while a majority of your critique will focus on the treatment of the music itself. It is only after this information is sought out and drafted that we can begin incorporating the musical discussion.

Submit your draft below

Jazz Listening: Louis/Ella & Mingus

The two videos below represent two very different musical narratives. Listen to each video and describe the following separately (you may have to listen more than once):

Describe the instrumentation for each recording
Describe the different sections (form) that are present in each track
If there are any solos, list the order of instruments and describe as best you can the style of each solo
Describe the similarities and differences between each track and any other pertinent information or observations you may find interesting

READING & LISTENING (respond below):

PART 1: Click HERE and read the article on blues. Be prepared to discuss the material covered in the reading on Tuesday.

PART 2: Listen to each video below and describe as many musical elements as you can that would categorize this music to be of the blues genre. Listen and describe the following: instruments, form, performance style (the mood or effect that was implied through the way the performers played) and lyric implication. Musically– describe what's happening.

Describe the music as best you can. After the musical description, deal with the lyrics (where applicable). Does the feel/mood of the song match the lyrical content? What message is the performer(s) conveying? What are the similarities and differences between each track?

BE THOROUGH.

DUE 12/12:

I want you to complete a song analysis on two songs from your album (you'll need more than one for the final review, but I only want to look at one for now)–– Type your analysis into a word processing document and save it along the way––when you're done with your analysis, submit your draft into the box below. I will critique your analysis and comment with suggestions for revision.

Don't forget to utilize whosampled.com!

When completing a song analysis, detail the following information in this order:

Song Form
Instrumentation
Hierarchy of Instruments/Voice
Overall sound of ensemble
Additional effects
Lyrical content/meaning (how well do the lyrics fit the music?)

BE THOROUGH

Submit your draft in the box below.

Due 11/14:

Read and be prepared to discuss the article on Blues Introduction, as well as material from the Wk. 6- Early Blues & Jazz page

Life Soundtrack Essay (50pts–submit in narrative response submission form below)

In a two page narrative, write two stores of a major life experience (positive or negative) that you or someone you know has experienced. If music were to accompany each story, what would it sound like– consider the genre, mood, instruments, texture, etc... How would the music vary from one story to the next? Your narrative should include as much musical description as possible, within the context of each story (be creative). Submit this into the Narrative Response submission form below.

Listening Assignment (post in blog below)

Listen to each video below and describe as many musical elements as you can that would categorize this music to be of the blues genre. Listen for instrumentation, form, performance style and lyric implication. Musically–what is happening? Describe the music as best you can. After the musical description, deal with the lyrics. Does the feel/mood of the song match the lyrical content? What message is the performer conveying?
What are the similarities/differences between each track?

Due 11/7: TEST

CONCERT REVIEW EXTENSION: CONCERT REVIEWS ARE NOW DUE 11/14. I'VE GIVEN YOU ANOTHER WEEK TO GET THIS ASSIGNMENT DONE. IT IS DUE IN MY HAND ON 11/14, NO EXCEPTIONS.

TEST ON CLASSICAL TRADITION I & II ON THE WEBSITE. NO NEED TO PHYSICALLY COME TO CLASS.

Your test will be online for 2hrs from 12-2pm next Friday 11/7. The test will be one of two tabs under the MUS Appreciation Hybrid section of the site and will be labeled TEST.

Instructions for submission will be clearly indicated.

Be prepared and study the following material, as the test will be in three parts:

Section 1:
Multiple Choice (38pts/2pts each)- Material will be taken from terms on Classical Tradition I (terms to include: opera elements and elements of fugue: Opera, Seconda Practtica, Sacred, Librettist, Overture, Ornamentation, Aria, Prima Practtica, Secular, Recitative, Conductor, Pizzicato, Glissando, Vibrato, Trill, Movements of a string quartet).

Section 2:
Short Answers- Material will be taken from Classical Tradition II.
1. (18pts)– Name the three different sections of sonata form and describe what happens within the context of each section.
2. (32pts)– Name each instrumental family in the orchestra. Provide me with the names of four instruments in each section as well as the method of sound production for each family.

Section 3:
Essay (12pts)- Material will be taken from the textbook. How do the Classical and Romantic Periods differ from the Baroque? Discuss cultural and historical elements and characteristics of each era. What evolved? Discuss changes in melody, form and symmetry as well as other cultural influences. You may discuss composers or pieces we have looked at from the website and discussed in class.

Material for the essay question can be found on the following pages within the textbook (located at the top of the page):
Part 3 (Baroque)- p.85-89
Part 4 (Classical)- p. 166-169
Part 5 (Nineteenth Century/Romantic)- p.233-237

These sections within the textbook provide information and insight on the cultural elements surrounding each period. This material is touched on in class, but expanded upon inside the textbook. Your discussion should include elements of each period (composers, pieces, compositional styles, etc...) as well as other elements not covered in class, but contained within the three parts listed above.

After completing and submitting the test, be sure to check the music forum after 2pm for materials that will be due 11/14.

Due 2/4:

NARRATIVE RESPONSE (50pts): Read the Copland excerpt titled How We Listen. In a 1 1/2–2 page response, summarize his discussion of musical planes and their respective functions. Analyze your own method of listening and figure out which musical plane you fit into (it is possible to be in two at once, but really think about it before you answer). Is it possible for everyone to access all three planes? Explain your thoughts. This assignment must be typed and printed.

PRACTICE: Utilizing the metronome website (66-80bpm), practice duets part 2a and 2b from Rhythm Exercise Sheet 1a. Both duets focus on rhythm in a triple meter (3/4). Practice slowly and concentrate on rhythms before adding the accents. Duet part 2a introduces the time signature with most of the rhythmic values we've studied so far (quarter note/rest [1beat], eighth note/rest [half of one beat]. Duet 2b eases up on the rhythmic complexity and concentrates on accents, practice slowly and with the metronome. In your practicing, write down any questions or problems you're encountering and feel free to bring them up in class. I'm sure there are others who have the same issues, don't be afraid to ask questions, that's why you're there. On Monday 2/4 you'll be asked to play parts of each duet.

Due 4/30:

Study material from the Early Blues & Jazz page for a test next week. The test will include the following material (this test is not multiple choice):

Early African American sacred and secular music
Characteristics of Ragtime & Stride piano playing
Typical instrumentation of Dixieland band/characteristics of dixieland music
Influential performers of Ragtime/Stride (2 for each one)
Early theatrical forms of entertainment (and influential elements that were developed in each form)
Characteristics of country and city blues
Performers of country blues (2)
Performers of city blues (2) as well as three characteristics of each performer
12-bar blues progression

Read the article Making Cents and be prepared to discuss in class next week. It's a very interesting read...I'm quite curious to discuss this with each of you.

10/30: MUSIC APPROPRIATION ASSIGNMENT & READING

Musical appropriation is the use or adaptation of a work to serve something other than it's original purpose (ex. a operatic work being used in a commercial advertisement)
Contrafactum is a work setting new words to an established melody. (ex. God Save The Queen and My Country Tis' of Thee contain the same melody, however they share entirely different texts. The tune now known as The Star Spangled Banner first accompanied a text that was originally a drinking song).

Your assignment for Friday is to find two songs, or a pieces that have been the subject of Musical Appropriation AND Contrafactum–one song for each style (YouTube is best–you'll need to post the link below).

To aid your search, consider artists or composers that have had pieces used in commercials or films. Consider pieces that have been theme songs for sports shows or events. There are several functional pieces of music that are used on a multitude of platforms.

Once you've found the original song/piece for each style, provide information on the composer/artist and the original purpose or setting of the song (ex. this song was utilized in the 1986 Olympics, and was rearranged by.....).

Submit your answers in the box below.

To prepare for class next week, familiarize yourself with the following pages in the textbook, I recommend taking notes as well (found at the top of the page in PDF format):

Part 4 The Classical Era- p.166–169

Chapter 20- Joseph Hayden, String Quartet in C Major, Mvt. II p.172-179
Chapter 23- Wolfgang Amadeus Mozart, Symphony No. 40 in G Minor, K. 550 Mvt. 1 p.197-204

Part 5 The Nineteenth Century- p. 233–237

Chapter 27- Ludwig van Beethoven, Symphony No. 5 in C Minor p. 240-246
Chapter 30- Hector Berlioz, Symphonie Fantastique, Mvt IV (March to the Scaffold) p. 261-266

Life Soundtrack Essay- Narrative Response (50pts–submit below)

The blues genre is a genre about hardship and strife. Ultimately, blues aims to tell a story- I want you to tell yours.

In a two page narrative (double spaced), write two stories about major life experiences (positive or negative) that you or someone you know has experienced. If music were to accompany each story, what would it sound like– describe the genre, mood, instruments, texture, etc…don't just give me a pre-existing song, be creative.
How would the music vary from one story to the next? Your narrative should include as much musical description as possible, within the context of each story (be CREATIVE). Submit this into the Response submission form below.

I suggest typing (and saving) this into a Word document and copying/pasting into the form below.

CONCERT REVIEWS ARE DUE FRIDAY 12/19

PRINTED, STAPLED, IN MY HAND ON FRIDAY–NO EXCEPTIONS.